NEEWER 6 Pack 6.5 feet/2m Mic Cable Cord, XLR Male to XLR Female Microphone Audio Colored Snake Cables (Purple/Red/Blue/Orange/Yellow/Green)

At around£4 each these represent good value. I'm happy with the quality of the components and the assembly seems solid. In use these don't add any noticeable noise. The colour coding is very useful and the length is perfect to connect rack mounted gear underneath my mixing desk. I won't be plugging and unplugging these cables all the time so I expect them to have a long life. Having each pair packed in a separate resealable bag was also a helpful touch. I will almost certainly be buying more in the future.

Often we feel that we must buy branded to get quality, well Neewer as broke the mould here with this set of XLR mic cables and a nice touch is they are a mix of colours, I have a few mic cables and was surprised by how thick, soft, and plyable these cables are, ok the connectors are not top quality but still feel very robust and should stand up to a fair amount of rough handling, I do street recording (that's another subject) and twice was caught in a heavy down-poor of rain and apart from them being wet on the outside their was no effect on the recording.I would recommend these for light to medium usage

My home studio was a sprawling mess of cables that were metres longer than needed, so this has tidied the XLRs up nicely. Easy to keep track of what thing is plugged into what thing, thanks to the colour coding. All cables are quiet and crackle free out the box. Great value set.

Tested all 6 on arrival and compared to brand name alternatives. For use in a home studio they are ok. I wouldn't take them out gigging since I don't know their durability.The 2m length seems to include the plug itself, so not what you'd call generous, but at this price I can't complain. Colours are a positive for identification (although if being picky the yellow and orange are a bit similar).Edit: Have bought more since my initial review I've not had any fail. I'm happy with them in an environment where there isn't loads of electrical interference and they aren't getting moved around much. In some conditions I get a mains hum when touching the connector that I don't get with better cables (so I don't touch the connector when in use!). I am using for recordings that are monitored and can be re-done if needed. No way would I use one of these live or on the road where it would have a physically tougher time. Fine for a podcast though.

I purchased these for patching in a new digital mixer with some bits of outboard I have. Everything about the seems decent but I'm not sure they are robust enough for day in day out re-patching or gig worthy. I'm using them for a set and forget set up until they eventually fail.The colours are good in normal light but under UV the purple and blue look similar as do the yellow and orange. It would be worth putting a bit of tape somewhere so you can ID which is which under those circumstances.

What to say? You get a lot for your money. The XLRs are quite good quality, not nasty pressed steel like some I've come across, and the cable is surprisingly decent. I have used them for instrumentation purposes (after testing and being recommended by more knowledgeable folk) and they are as good as anything else, at audio frequencies at least. Unless you like to be parted from your cash or are running superfast digital lines or something I'd say they're a winner.

Quick delivery does the job. Multi colours help sort patch panel wiring

Cables and connectors seem to be of decent quality and saved me a lot of time making up cables myself. Would have been nice to be able to choose colours but supplied colours are ok. Ideal for colour coding feeds from radio mic receivers to mixing desk.