aris by several men in search of the fortune that her murdered husband stole from them. As her world becomes entangled with suspense, murder and plots twists, she finds herself leaning on a suave, charming stranger (Grant) whose motives are unclear. Beautifully directed by Stanley Donen and co-starring James Coburn, George Kennedy and Walter Matthau, this timeless classic will keep you guessing until the very end.

Bonus Content:

Theatrical Trailer
100 Years of Universal: The Carl Laemmle Era
100 Years of Universal: The Lew Wasserman Era

36:T5b2,Though Cary Grant was at the end of his career at this point, it's clear why studios tried coaxing him out of retirement for decades more. He was still able to deliver as well as he had thirty years before. Yes it's a bit creepy from a 21st century worldview how he chases after a woman 25 years his junior, but getting past that both Grant and Hepburn are great costars. Matthau plays his role well pulling Hepburn's character along. Coburn's "cowboy" is a bit over the top and vaudevillian, but maybe that's how the screenwriter envisioned him. It just seems out of place amidst Coburn's typical successful roles. Kennedy delivers a great job as a creepy homicidal man and Glass likewise does a great job with his mousy character.If you like Grant's mystery and comedy films then you'll like this one where he rolls both into a single performance. He's consistently funny on screen and handles the role of thriller character well. Hepburn was enjoyable to watch as well in her sweet and unassuming heroine role. However, it would've been great to see her play a more mischevous and cunning character. She almost seemed underdeveloped as the man-chasing innocent while everyone else manipulated the world around her. That's neither here nor